Quentin Tarantino fans will probably love his new World War II film, “Inglourious Basterds.” It’s chock full of the Tarantino trademarks — the genre-bending, black humor, quirky characters and cartoonish violence.
History buffs, however, are in for a shock.
Tarantino cheerfully and breathtakingly rewrites some key facts about that most sacrosanct of wars. The end result is more revenge fantasy than history, as the film’s Jewish characters wreak deadly havoc on their Nazi oppressors, and do so with gusto.
“Holocaust movies always have Jews as victims,” Tarantino complained in a recent interview in The Atlantic. “We’ve seen that story before. I want to see something different.”
Whether that “something different” will work for audiences remains to be seen. Here’s a guide to determine where the film bends the historical record, and where it breaks it.
A No. Brad Pitt’s avenging Tennessee hillbilly is a product of Tarantino’s imagination, as is Pitt’s squadron of ‘Basterds,’ (the misspelling is Tarantino’s) a fearsome group of Jewish-American soldiers committed to hunting down Nazis. But journalist Kim Masters recently wrote on The Daily Beast Web site that a secret group of largely Jewish commandos did exist, though in the British, not the American military. Her father, Peter Masters, had been one of them.
Called the X-Troop, Masters’ unit was comprised of European-born refugees who had fled the Nazis into England. Their fluency in German helped them stage daring reconnaissance missions into enemy territory, and allowed them to capture and interrogate German soldiers.
But there’s a key difference with the film’s commandos, as Kim Masters notes. Her father’s X-Troop did not take scalps, carve swastikas into Nazi foreheads, or bash in German heads with a baseball bat. That’s pure Tarantino.
A Landa is a fictional character, but men like him certainly operated in France. Chosen for their adherence to “racial purity” and their devotion to Hitler, members of the SS were primarily responsible for implementing the anti-Jewish policies which culminated in the “Final Solution.” Like the fictional Col. Landa, they were cold, efficient and ruthless in hunting down and exterminating Jews throughout Nazi-occupied Europe.
A Von Hammersmark is imaginary, though her glamour and beauty evoke the popular German actress, Marlene Dietrich. Dietrich, however, was never a spy. She left Germany for fame in Hollywood in the 1930s, and became an American citizen in 1939. When the war began, Dietrich made clear her hatred of the Nazi regime, and spurned invitations by Nazi officials to return to her homeland. Instead, she raised money for U.S. war bonds and entertained American troops for the USO.
A The most celebrated German snipers operated not in France, but on the Russian Front. The closest historical model for Zoller is Matthias Hetzenauer, a young Austrian sniper who was credited with at least 345 kills on the Eastern Front, all before his 21st birthday. Hetzenauer was awarded the Iron Cross, but German Propaganda Minister Joseph Goebbels never based a film on his exploits, unlike the fictional Zoller.
A Absolutely. Before the 1950s, motion pictures were reproduced on nitrate film, which is highly combustible, and could ignite under the heat of the projection lamp. Theater fires, then, were not uncommon, and once begun were extremely hard to contain, since nitrate creates its own oxygen as it burns. n 1978, the National Archives lost 12 million feet of old newsreel footage when the nitrate film reels auto-ignited deep in the film vaults.
Starting in the early 1950s, film companies switched to using an acetate-based or polyester-based film, which is far safer.
A None whatsoever. I can’t deny the visceral satisfaction I felt as the film rollicked towards its conclusion, but it was startling to watch Tarantino abandon any fidelity to history there.
To his credit, though, Tarantino warns us at the start not to take it all too seriously. He opens the film, after all, with those time-honored words, “Once upon a time...”
“Inglourious Basterds” may be set in World War II, but it isn’t history; it’s fantasy.