Pomodoro’s massive spheres are instantly recognizable: shiny, smooth bronze globes with clawed out interiors that Pomodoro has said referred to the superficial perfection of exteriors and the troubled complexity of interiors.
In a note of condolences, Italian Culture Minister Alessandro Giuli said Pomodoro's “wounded” spheres “speak to us today of the fragility and complexity of the human and the world.”
The Vatican’s sphere, which occupies a central place in the Pigna Courtyard of the Vatican Museums, features an internal mechanism that rotates with the wind. “In my work I see the cracks, the eroded parts, the destructive potential that emerges from our time of disillusionment,” the Vatican quoted Pomodoro as saying about its sphere.
The United Nations in New York received a 3.3-meter (10 foot, eight inch) diameter “Sphere Within Sphere” sculpture as a gift from Italy in 1996. The U.N. sphere has refers to the coming of the new millennium, the U.N. said: “a smooth exterior womb erupted by complex interior forms,” and “a promise for the rebirth of a less troubled and destructive world,” Pomodoro said of it.
Other spheres are located at museums around the world and outside the Italian foreign ministry, which has the original work that Pomodoro created in 1966 for the Montreal Expo that began his monumental sculpture project.
Pomodoro was born in Montefeltro, Italy, on June 23, 1926. In addition to his spheres, he designed theatrical sets, land projects and machines. He had multiple retrospectives and taught at Stanford University, the University of California at Berkeley and Mills College, according to his biography on the foundation website.
Credit: AP
Credit: AP
Credit: AP
Credit: AP