From The New Republic: “Today we are less troubled by the homogenizing effects of entertainment than by our deep partisan divisions in both politics and art. And the cultural shift that today’s literary writers struggle to parse is not the impact of TV sitcoms, but of social media and the internet. Even the notion of escape means something very different in the age of Trump than it meant during the Clinton years. In response, some writers have shifted their narratives into a safer, more myth-friendly past; others continue to deliver the hopeful feelings of a simpler time. You might call them the last escapists: not because they reflect the zeitgeist, but because they run so profoundly against it.”
Read the original essay here.
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